Please join the Njegoš Endowment for Serbian Language and Culture and the Harriman Institute for a symposium on Yugoslav experimental film. The symposium focuses on the marginalized area of the experimental moving image, addressing alternative forms of film, video, and paracinema in the former Yugoslavia that both flourished and were erased from the official historical record. The history of experimental film in Yugoslavia is rich, layered and fragmented.
The dramatic collapse of the Soviet empire in 1991 presented the world with an unprecedented challenge: some 29,000 Soviet strategic and tactical nuclear weapons suddenly found themselves on the territory of not one but four new sovereign nations: the Russian Federation, Ukraine, Belarus, and Kazakhstan.
In this talk, Dr. Kleiman will bring insight to the contemporary Russian Theatre in the context of Western theatre tradition, and explore the following questions: What are the origins of Russian Theatre art? What are modern theatre trends? How are forms and ideas of the theatre in Russia connected to its social and political life?
Within the past few years, the Ukrainian authorities have been heavily critisized by international watchdogs and independent observers for some legal steps and practical policies that allegedly curtail freedom of speech and access to information in the country.
When the Balkans exploded into war in the 1990s, reports that tens of thousands of women were being systematically raped as a tactic of ethnic cleansing captured the international spotlight. I Came to Testify is the moving story of how a group of 16 women who had been imprisoned by Serb-led forces in the Bosnian town of Foca broke history’s great silence – and stepped forward to take the witness stand in an international court of law.
Andriy Lyubka was born in 1987 in Riga, Latvia. He completed degrees in Ukrainian Philology at Uzhhorod University (2009) and in Balkan Studies at the University of Warsaw (2014). He is the author of three books of poetry – Eight Months of Schizophrenia (2007), TERRORISM (2008), and Forty Bucks Plus Tip (2009) - and five books of prose – KILLER: A Collection of Stories (2012), Sleeping with Women (2014), Carbide (2015), A Room for Sorrow (2016) and Saudade (2017).
Please join the Outreach Lecturing Fund of the Fulbright-Hays Foundation, the N. Iorga Chair for Romanian Language and Culture at Columbia University, the Black Sea Network Project, East Central European Center and the Harriman Institute for a talk with Professor Adina Ciugureanu (Ovidius University, Constanta, Romania). RSVP required.
Please join us for panel discussion about the complexities and challenges of enacting reparative justice and memorialization initiatives in a region where ongoing battles over the historical interpretation of events remain a psychological continuation of these conflicts. While the carnage wrought by armies and militias may have ended in the region more than twenty years ago, the wars over human rights, history, memory, and commemoration continue to be waged in the fragile socio-political terrain of the Balkans.
The Golden Age of natural gas, announced by the IEA only a couple of years ago, has not materialized in Europe to date. In the electricity sector, gas increasingly finds itself squeezed between cheap coal and subsidized renewable energy sources. Domestic production of natural gas is declining more rapidly than anticipated, chiefly due to the Dutch government’s decision to curtail production at the largest natural gas field in Europe, to mitigate frequent earth tremors reported from the area.